Jagjeet singh ghazals serial#

The Ghazal has never sounded so young! This is how one felt when Jagjit Singh had broken the mould and shattered all myths about the Ghazal with his 1977 album The Unforgettables. Having heard the album I can vouch for the uniqueness of the sound. This is a young vibrant attempt to make the Ghazal accessible to the millennials. And yet the compositions and the style of singing are not a copy of these greats. My album Sukoon is a tribute to all these Ghazal greats. Says Bhansali, вЂњIвЂ™ve grown up listening to Begum Akhtar, Mehdi Haasan, Ghulam Ali and Jagjit Singh. He defined the modern genre of ghazal singing.ДЄlthough some might dispute this claim and say his singing was not as classically-based as say Ghulam Ali's or Mehdi Hasan's, the fact is that the range and breadth of Jagjit's work is indeed genre-defining.Epic filmmaker Sanjay Leela Bhansali who also composes the music for his films, is all set to release his first independent non-film album.Д¬ontaining 12 Ghazals sung by various artistes including Papon, Armaan Malik and BhansaliвЂ™s discovery Shreya Ghosal, the album Sukoon is, in the filmmaker-composerвЂ™s words, his tribute to the Ghazals greats. Jagjit Singh is the most successful ghazal singer and composer of all time - in terms of critical acclaim as well as commercial success. Where I see children frolic day and night) In fact, he even sung several of Ghalib's ghazals lesser-known and philosophically complex ghazals, ones that require some understanding of Islamic theology, for instance:

Jagjeet singh ghazals serial#

His music for the serial Mirza Ghalib (1988) made his voice synonymous with the 19th century poet. He chose poetry that was easy for the masses to understand his intricately carved rendition of every word and its unique weight stemmed from his deep understand of Urdu poetry. The sessions would start late evening and extend to the wee hours, sometimes to the mornings, with people asking for more even with the sun high up on the horizon.Jagjit Singh's contribution to the revival and popularisation of the ghazal is indisputable. The musical nights, held during Dussehra celebrations in Patna, are etched in my memory.

I often used to accompany my father MR Khairi, who was a ghazal lover, and my mother Anjuman - a ghazal singer in Patna. I still remember how people from far-off places would throng at the concerts of Jagjit and Chitra.

I also introduced western instrumentation to make them livelier.' Jagjit said: 'I was determined to polish up the genre and make it more acceptable to modern tastes, so chose simple poems and set them to simple tunes. His voice drew universal acclaim and was instrumental in making scores of films like Arth and Saath Saath chartbusters. Jagjit always wanted to become a playback singer like Mohammad Rafi, Kishore Kumar and Manna Dey. His album Kahkashan (1991) also drew rave reviews. Jagjit collaborated with Lata Mangeshkar in Sajda and poet-lyricist Gulzar on several occasions. ' Baat Niklegi Toh Phir Door Talak Jayegi' and ' Sarakti Jaaye Hai Rukh Seare' are truly unforgettable milestones of ghazal singing. The couple's first ghazal album The Unforgettables (1976) went on to become the highest-grossing one in the genre, particularly when there was hardly any market for ghazals.Д«lending chorus and instruments in innovative ways, the album made Jajgit and Chitra household names. Their singularly unique voices and singing styles complemented each other in every possible way-Jagjit's heavy baritone contrasted beautifully with Chitra's sharp voice. Thus began the journey of one of the most prolific and beautiful of collaborations in the history of Indian music. They were soon termed the 'Ghazal Couple' and married in 1969.

While Jagjit's voice was like a silent blue ocean, Chitra's gurgled and danced like a playful fountain and a rivulet. Jagjit and Chitra became a hit both inside the studio as well as outside it. She later recalled in an interview to Filmfare: 'I told the music director that his voice was heavy and that I wouldn't be able to sing with him.' When the two first met, Chitra refused to record a jingle with Jagjit. On the other hand, Chitra was a natural, with no formal training. Jagjit was, musically speaking, a trained classical singer - he learned the ropes of prominent styles of Hindustani classical music, including Khayal, Thumri and Dhrupad from Ustad Jamaal Khan of Senia Gharana. They were opposites: while Jagjit was a Punjabi Sikh, Chitra was a Bengali. It was two years after Jagjit Singh's first album came out in 1965 that the Ghazal king met Chitra during a recording.